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Пем Кук англ Pam Cook нар 6 січня 1943 19430106 року професорка емеритка в галузі кіно в Університеті Саутгемптона Вона

Пем Кук

Пем Кук

Пем Кук (англ. Pam Cook, нар. 6 січня 1943(19430106) року) — професорка-емеритка в галузі кіно в Університеті Саутгемптона. Вона отримала освіту в школі сера Вільяма Перкінса, Чертсі, Суррі та в Бірмінгемському університеті, де її навчали Стюарт Голл, Річард Гоґґарт, Малкольм Бредбері та Девід Лодж. Поряд з Лорою Малві та Клер Джонстон, вона була піонеркою англо-американської теорії феміністичного кіно 1970-х років. Її співпраця з Клер Джонстон над роботою голлівудського кінорежисера Дороті Арзнер викликала дискусії серед феміністичних кінознавциць протягом наступних десятиліть.

Пем Кук
англ. Pam Cook
image
Народилася6 січня 1943(1943-01-06) (81 рік)
Фарнборо, Гемпшир[d], Гемпшир, Велика Британія
Країнаimage Велика Британія
Діяльністьfilm theorist
Alma materБірмінгемський університет і d
ЗакладУніверситет Саутгемптона і Університет Східної Англії

У середині 1980-х років Кук була співавторкою та редакторкою провідного підручника з кінознавства «Книга кіно про Британський інститут кіномаграфії» (BFI). З 1985 по 1994 рік вона працювала асоційованою редакторкою та авторкою журналів BFI Monthly Film Bulletin та Sight and Sound, а потім стала викладачкою Університету Східної Англії. У 1998 році вона була призначена першою професоркою європейського кіно та медіа в університеті Саутгемптона.

З моменту виходу на пенсію у 2006 році вона продовжує публікувати книги та статті про історію та культуру рухомих зображень. У 2007 році вона створила незалежний блог bfiwatch для моніторингу подій у BFI та поширила свою роботу на наукову відеографію.

Публікації

Книги

  • Dancing with Pixels: Undoing Representation, London: Open Book, 2019.
  • Nicole Kidman, London: BFI Publishing/Palgrave, 2012. Nicole Kidman
  • Baz Luhrmann, London: BFI Publishing/Palgrave, 2010. Baz Luhrmann
  • The Cinema Book, Third Edition, London: British Film Institute, 2007.
  • Screening the Past: Memory and Nostalgia in Cinema, Oxford and New York: Routledge, 2005.
  • I Know Where I'm Going!, BFI Film Classics, London: British Film Institute, 2002. (on I Know Where I'm Going)
  • The Cinema Book, Second Edition, London: British Film Institute, 1999. With Mieke Bernink.
  • Gainsborough Pictures, London and Washington: Cassell, 1997. Gainsborough Pictures
  • Fashioning the Nation: Costume and Identity in British Cinema, London: British Film Institute, 1996.
  • Women and Film: A Sight and Sound Reader, London: Scarlet Press/Philadelphia: Temple University Press, 1993. With Philip Dodd.
  • The Cinema Book, London: British Film Institute, 1985. The Cinema Book

Вибрані статті

  • 'Revisiting Performance: Nicole Kidman's Enactment of Stardom', in Sabrina Qiong Yu and Guy Austin (eds). Revisiting Star Studies: Cultures, Themes and Methods, Edinburgh: Edinburgh University Press, 2017. Nicole Kidman
  • 'Because She's Worth It: The Natural Blonde from Grace Kelly to Nicole Kidman', Celebrity Studies 2015, special dossier on Blondes in Cinema. Grace Kelly; Nicole Kidman; Grace of Monaco
  • 'Picturing Natacha Rambova: Design and Celebrity Performance in the 1920s', Screening the Past 40, September 2015, special dossier on Women and the Silent Screen. Natacha Rambova; Rudolph Valentino; Salome; Alla Nazimova
  • 'Text, Paratext and Subtext: Reading Mildred Pierce as Maternal Melodrama', SEQUENCE: Serial Studies in Media, Film and Music, 2.2, 2015. Mildred Pierce (miniseries); Mildred Pierce; Mildred Pierce; Todd Haynes; Videography
  • 'Dancing with Pixels: Digital Artefacts, Memory and the Beauty of Loss', The Cine-Files 7, Fall 2014. In the Mood for Love; Videography
  • 'Sweetie′, Metro [Australia] 181, Winter 2014. Sweetie (film); Jane Campion; Cinema of Australia
  • 'History in the Making: Sofia Coppola's Marie Antoinette and the New Auteurism', in Tom Brown and Belen Vidal (eds). The Biopic in Contemporary Film Culture (AFI Readers), New York: Routledge, 2013. Sofia Coppola; Marie Antoinette; Biopics
  • 'Beyond Adaptation: Mirrors, Memory and Melodrama in Todd Haynes's Mildred Pierce, Mildred Pierce dossier, Screen 54:3, Autumn 2013. Mildred Pierce (miniseries); Mildred Pierce; Mildred Pierce; Todd Haynes
  • 'Labours of Love: In Praise of Fan Websites', Frames 1 (1), July 2012.
  • 'Another Story: Myth and History in Bonnie and Clyde (1967)', in Tom Brown and James Walters (eds), Film Moments: Criticism, History, Theory, London: BFI/Palgrave Macmillan, 2010. Bonnie and Clyde
  • 'Sofia Coppola', in Yvonne Tasker (ed.), Fifty Contemporary Film Directors, Oxford and New York: Routledge, 2010. Sofia Coppola
  • ‘Transnational Utopias: Baz Luhrmann and Australian Cinema’, Transnational Cinemas 1 (1), 2010. Baz Luhrmann; Cinema of Australia
  • ‘On Memorialising Gainsborough Studios’, Journal of British Cinema and Television 6 (2), 2009. Gainsborough Pictures
  • ‘Whatever Happened to BFI Publishing?’, Cinema Journal 47 (4), Summer 2008. The Cinema Book
  • ‘An American in Paris’, in Mandy Merck (ed.), America First: Naming the Nation in US Film, Oxford and New York: Routledge, 2007. An American in Paris
  • ‘Portrait of a Lady: Sofia Coppola’, Sight and Sound vol. 16, no. 11, November 2006. Sofia Coppola
  • 'Rethinking Nostalgia: In the Mood for Love and Far from Heaven', in Screening the Past: Memory and Nostalgia in Cinema, Oxford and New York: Routledge, 2005. Wong Kar-wai; Todd Haynes
  • ' «Sean Connery Is James Bond»: Re-fashioning British Masculinity in the 1960s', in Rachel Moseley (ed.), Fashioning Film Stars: Dress, Culture, Identity, London: British Film Institute, 2005. With Claire Hines. Sean Connery
  • ‘The Trouble with Sex: Diana Dors and the Blonde Bombshell Phenomenon’, in Bruce Babington (ed.), British Stars and Stardom: From Alma Taylor to Sean Connery, Manchester: Manchester University Press, 2001. Diana Dors
  • 'No Fixed Address: The Women's Picture from Outrage to Blue Steel', in Steve Neale and Murray Smith (eds), Contemporary Hollywood Cinema, London and New York: Routledge, 1998. Ida Lupino; Kathryn Bigelow
  • 'Neither Here Nor There: National Identity in Gainsborough Costume Drama', in Andrew Higson (ed.), Dissolving Views: Key Articles on British Cinema, London and Washington: Cassell, 1996.
  • 'Outrage (1950)', in Annette Kuhn (ed.), Queen of the 'B's: Ida Lupino Behind the Camera, Trowbridge: Flicks Books, 1995. Ida Lupino; Outrage
  • 'Border Crossings: Women and Film in Context', in Pam Cook and Philip Dodd (eds), Women and Film: A Sight and Sound Reader, London: Scarlet Press/Philadelphia: Temple University Press, 1993.
  • 'Women in the Western', in Edward Buscombe (ed.), The BFI Companion to the Western, London: British Film Institute/André Deutsch, 1988. Reprinted in Jim Kitses and Gregg Rickman (eds), The Western Reader, New York: Limelight, 1998.
  • 'Mandy: Daughter of Transition', in Charles Barr (ed.), All Our Yesterdays: 90 Years of British Cinema, London: British Film Institute, 1986. Mandy (film)
  • 'Melodrama and the Women's Picture', in Sue Aspinall and Robert Murphy (eds), BFI Dossier 18: Gainsborough Melodrama, London: British Film Institute, 1983. Gainsborough melodramas
  • 'Masculinity in Crisis? Tragedy and Identification in Raging Bull', Screen vol. 23, no. 3/4, Sept/Oct 1982. Raging Bull; Martin Scorsese
  • 'Duplicity in Mildred Pierce', in E. Ann Kaplan (ed.), Women in Film Noir, London: British Film Institute, 1978. Revised edition 1998. Mildred Pierce
  • 'Exploitation Films and Feminism', Screen vol.17, no. 2, Summer 1976. Stephanie Rothman
  • 'Approaching the Work of Dorothy Arzner', in Claire Johnston (ed.), Dorothy Arzner: Towards a Feminist Cinema, London: British Film Institute, 1975. Dorothy Arzner
  • 'The Place of Woman in the Cinema of Raoul Walsh', in Phil Hardy (ed.), Raoul Walsh, Edinburgh: Edinburgh Film Festival, 1974. With Claire Johnston. Reprinted in Barry Keith Grant (ed.), Auteurs and Authorship: A Reader, Oxford: Blackwell, 2008. Raoul Walsh; The Revolt of Mamie Stover

Примітки

  1. See University of Southampton Film Studies web site
  2. See E. Ann Kaplan, 'Aspects of British feminist film theory: A critical evaluation of texts by Claire Johnston and Pam Cook', Jump Cut no. 2, 1974, pp. 52–5; and 'Interview with British Cine-Feminists', in Karen Kay and (eds), Women and the Cinema: A Critical Anthology, New York: E.P. Dutton, 1977, pp. 393—406.
  3. See Constance Penley (ed.), Feminism and film theory, New York and London: Routledge, 1988; Judith Mayne, Directed by Dorothy Arzner, Bloomington, Indiana: Indiana University Press, 1994.
  4. See bfiiwatch blog, external link below.

Посилання

  • Вебсторінка Університету Саутгемптона
  • Пем Кук на сайті IMDb (англ.)
  • Особистий вебсайт Пам Кук
  • Блог bfiwatch Пам Кук
  • Мода Пам Кук> кіноблог

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Pem Kuk angl Pam Cook nar 6 sichnya 1943 19430106 roku profesorka emeritka v galuzi kino v Universiteti Sautgemptona Vona otrimala osvitu v shkoli sera Vilyama Perkinsa Chertsi Surri ta v Birmingemskomu universiteti de yiyi navchali Styuart Goll Richard Goggart Malkolm Bredberi ta Devid Lodzh Poryad z Loroyu Malvi ta Kler Dzhonston vona bula pionerkoyu anglo amerikanskoyi teoriyi feministichnogo kino 1970 h rokiv Yiyi spivpracya z Kler Dzhonston nad robotoyu gollivudskogo kinorezhisera Doroti Arzner viklikala diskusiyi sered feministichnih kinoznavcic protyagom nastupnih desyatilit Pem Kukangl Pam CookNarodilasya6 sichnya 1943 1943 01 06 81 rik Farnboro Gempshir d Gempshir Velika BritaniyaKrayina Velika BritaniyaDiyalnistfilm theoristAlma materBirmingemskij universitet i dZakladUniversitet Sautgemptona i Universitet Shidnoyi Angliyi U seredini 1980 h rokiv Kuk bula spivavtorkoyu ta redaktorkoyu providnogo pidruchnika z kinoznavstva Kniga kino pro Britanskij institut kinomagrafiyi BFI Z 1985 po 1994 rik vona pracyuvala asocijovanoyu redaktorkoyu ta avtorkoyu zhurnaliv BFI Monthly Film Bulletin ta Sight and Sound a potim stala vikladachkoyu Universitetu Shidnoyi Angliyi U 1998 roci vona bula priznachena pershoyu profesorkoyu yevropejskogo kino ta media v universiteti Sautgemptona Z momentu vihodu na pensiyu u 2006 roci vona prodovzhuye publikuvati knigi ta statti pro istoriyu ta kulturu ruhomih zobrazhen U 2007 roci vona stvorila nezalezhnij blog bfiwatch dlya monitoringu podij u BFI ta poshirila svoyu robotu na naukovu videografiyu PublikaciyiKnigi Dancing with Pixels Undoing Representation London Open Book 2019 Nicole Kidman London BFI Publishing Palgrave 2012 Nicole Kidman Baz Luhrmann London BFI Publishing Palgrave 2010 Baz Luhrmann The Cinema Book Third Edition London British Film Institute 2007 Screening the Past Memory and Nostalgia in Cinema Oxford and New York Routledge 2005 I Know Where I m Going BFI Film Classics London British Film Institute 2002 on I Know Where I m Going The Cinema Book Second Edition London British Film Institute 1999 With Mieke Bernink Gainsborough Pictures London and Washington Cassell 1997 Gainsborough Pictures Fashioning the Nation Costume and Identity in British Cinema London British Film Institute 1996 Women and Film A Sight and Sound Reader London Scarlet Press Philadelphia Temple University Press 1993 With Philip Dodd The Cinema Book London British Film Institute 1985 The Cinema BookVibrani statti Revisiting Performance Nicole Kidman s Enactment of Stardom in Sabrina Qiong Yu and Guy Austin eds Revisiting Star Studies Cultures Themes and Methods Edinburgh Edinburgh University Press 2017 Nicole Kidman Because She s Worth It The Natural Blonde from Grace Kelly to Nicole Kidman Celebrity Studies 2015 special dossier on Blondes in Cinema Grace Kelly Nicole Kidman Grace of Monaco Picturing Natacha Rambova Design and Celebrity Performance in the 1920s Screening the Past 40 September 2015 special dossier on Women and the Silent Screen Natacha Rambova Rudolph Valentino Salome Alla Nazimova Text Paratext and Subtext Reading Mildred Pierce as Maternal Melodrama SEQUENCE Serial Studies in Media Film and Music 2 2 2015 Mildred Pierce miniseries Mildred Pierce Mildred Pierce Todd Haynes Videography Dancing with Pixels Digital Artefacts Memory and the Beauty of Loss The Cine Files 7 Fall 2014 In the Mood for Love Videography Sweetie Metro Australia 181 Winter 2014 Sweetie film Jane Campion Cinema of Australia History in the Making Sofia Coppola s Marie Antoinette and the New Auteurism in Tom Brown and Belen Vidal eds The Biopic in Contemporary Film Culture AFI Readers New York Routledge 2013 Sofia Coppola Marie Antoinette Biopics Beyond Adaptation Mirrors Memory and Melodrama in Todd Haynes s Mildred Pierce Mildred Pierce dossier Screen 54 3 Autumn 2013 Mildred Pierce miniseries Mildred Pierce Mildred Pierce Todd Haynes Labours of Love In Praise of Fan Websites Frames 1 1 July 2012 Another Story Myth and History in Bonnie and Clyde 1967 in Tom Brown and James Walters eds Film Moments Criticism History Theory London BFI Palgrave Macmillan 2010 Bonnie and Clyde Sofia Coppola in Yvonne Tasker ed Fifty Contemporary Film Directors Oxford and New York Routledge 2010 Sofia Coppola Transnational Utopias Baz Luhrmann and Australian Cinema Transnational Cinemas 1 1 2010 Baz Luhrmann Cinema of Australia On Memorialising Gainsborough Studios Journal of British Cinema and Television 6 2 2009 Gainsborough Pictures Whatever Happened to BFI Publishing Cinema Journal 47 4 Summer 2008 The Cinema Book An American in Paris in Mandy Merck ed America First Naming the Nation in US Film Oxford and New York Routledge 2007 An American in Paris Portrait of a Lady Sofia Coppola Sight and Sound vol 16 no 11 November 2006 Sofia Coppola Rethinking Nostalgia In the Mood for Love and Far from Heaven in Screening the Past Memory and Nostalgia in Cinema Oxford and New York Routledge 2005 Wong Kar wai Todd Haynes Sean Connery Is James Bond Re fashioning British Masculinity in the 1960s in Rachel Moseley ed Fashioning Film Stars Dress Culture Identity London British Film Institute 2005 With Claire Hines Sean Connery The Trouble with Sex Diana Dors and the Blonde Bombshell Phenomenon in Bruce Babington ed British Stars and Stardom From Alma Taylor to Sean Connery Manchester Manchester University Press 2001 Diana Dors No Fixed Address The Women s Picture from Outrage to Blue Steel in Steve Neale and Murray Smith eds Contemporary Hollywood Cinema London and New York Routledge 1998 Ida Lupino Kathryn Bigelow Neither Here Nor There National Identity in Gainsborough Costume Drama in Andrew Higson ed Dissolving Views Key Articles on British Cinema London and Washington Cassell 1996 Outrage 1950 in Annette Kuhn ed Queen of the B s Ida Lupino Behind the Camera Trowbridge Flicks Books 1995 Ida Lupino Outrage Border Crossings Women and Film in Context in Pam Cook and Philip Dodd eds Women and Film A Sight and Sound Reader London Scarlet Press Philadelphia Temple University Press 1993 Women in the Western in Edward Buscombe ed The BFI Companion to the Western London British Film Institute Andre Deutsch 1988 Reprinted in Jim Kitses and Gregg Rickman eds The Western Reader New York Limelight 1998 Mandy Daughter of Transition in Charles Barr ed All Our Yesterdays 90 Years of British Cinema London British Film Institute 1986 Mandy film Melodrama and the Women s Picture in Sue Aspinall and Robert Murphy eds BFI Dossier 18 Gainsborough Melodrama London British Film Institute 1983 Gainsborough melodramas Masculinity in Crisis Tragedy and Identification in Raging Bull Screen vol 23 no 3 4 Sept Oct 1982 Raging Bull Martin Scorsese Duplicity in Mildred Pierce in E Ann Kaplan ed Women in Film Noir London British Film Institute 1978 Revised edition 1998 Mildred Pierce Exploitation Films and Feminism Screen vol 17 no 2 Summer 1976 Stephanie Rothman Approaching the Work of Dorothy Arzner in Claire Johnston ed Dorothy Arzner Towards a Feminist Cinema London British Film Institute 1975 Dorothy Arzner The Place of Woman in the Cinema of Raoul Walsh in Phil Hardy ed Raoul Walsh Edinburgh Edinburgh Film Festival 1974 With Claire Johnston Reprinted in Barry Keith Grant ed Auteurs and Authorship A Reader Oxford Blackwell 2008 Raoul Walsh The Revolt of Mamie StoverPrimitkiSee University of Southampton Film Studies web site See E Ann Kaplan Aspects of British feminist film theory A critical evaluation of texts by Claire Johnston and Pam Cook Jump Cut no 2 1974 pp 52 5 and Interview with British Cine Feminists in Karen Kay and eds Women and the Cinema A Critical Anthology New York E P Dutton 1977 pp 393 406 See Constance Penley ed Feminism and film theory New York and London Routledge 1988 Judith Mayne Directed by Dorothy Arzner Bloomington Indiana Indiana University Press 1994 See bfiiwatch blog external link below PosilannyaVebstorinka Universitetu Sautgemptona Pem Kuk na sajti IMDb angl Osobistij vebsajt Pam Kuk Blog bfiwatch Pam Kuk Moda Pam Kuk gt kinoblog

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